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Out of her the writer confected Sally, the heroine of Good bye to Berlin (1939), a flamboyant vixen with a face "powdered dead white." In John Van Druten's 1951 play, I Am a Camera, the quirky chanteuse was channeled by Julie Harris, whom Isherwood decreed "more essentially Sally Bowles than the Sally of my book." Next, with the release of the 1972 movie musical Cabaret, Liza Mm nelli took tem porary possession of Sally's flighty soul

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